Syndicate: expect innovative poetry, multi-media artworks, interactive live performances, lively debate and sparkling wine.

Syndicate is a unique initiative bringing together writers, musicians, artists and researchers working in, and in response to, digital technologies, new media and evolving network practices. It is organised by Lila Matsumoto, Jo L Walton and Samantha Walton, in collaboration with New Media Scotland and with the support of the Edinburgh Fund’s Innovative Initiative Grant.

19th September: Syndicate #7: NANO

Thursday, 19th September, 6:45pm.

Sandra Alland / Steve Willey / Ian Davidson.

Entry is free, but please book yourself a ticket.

Sandra Alland is a writer, filmmaker, interdisciplinary artist and performer. She has published and presented her work throughout the UK, Europe, the US and Canada. In 2009, Edinburgh’s Forest Publications published Sandra’s chapbook of short fiction, Here’s To Wang, which went into its second printing in 2010. Sandra has published three books of poetry: Naturally Speaking (Toronto: espresso, 2012); Blissful Times (Toronto: BookThug, 2007); and Proof of a Tongue (Toronto: McGilligan, 2004). Sandra curates Cachín Cachán Cachunga Queer & Trans* Cabaret in Edinburgh, and was recently guest editor at Jacket2 for a special issue on Scottish poets. www.blissfultimes.ca.

Ian Davidson’s latest poetry collection, Partly in Riga (Shearsman 2010)  was mostly written while on a residency in Latvia. His current project explores the ways that practices and ideas of movement and mobility, particularly those of humans, relate to contemporary writing. He has made extensive use of a seven syllable line, a quantity that always seems incomplete,  and see the pamphlet Into Thick Hair (Wild Honey 2011) for an example. Other poetry collections include Harsh (Spectacular Diseases 2003),  As if Only (Shearsman 2007) and At a Stretch (Shearsman 2004), and critical books include Ideas of Space in Contemporary Poetry (Palgrave 2007) and Radical Spaces of Poetry (Palgrave 2010).

Steve Willey lives in Whitechapel, London. His poetry has been widely anthologized including in: Dear World and Everyone In It (Bloodaxe, 2013); Better Than Language (Ganzfeld press, 2011); and City State (Penned In The Margins, 2009). His long-form poem Elegy (his debut collection) was published by Veer Books in July 2013, but you can’t get it yet. Steve enjoys working collaboratively and across different media, and in the past he has worked with the composer Edward Nesbit and the post-rock band Rumour Cubes on pieces that have been performed at the Wigmore Hall and at Glastonbury Music Festival respectively. Steve’s current poetic projects derive from a trip he took to Aida Refugee Camp in 2009, and a further visit in August 2013. He holds a PhD on the subject of Bob Cobbing 1950-1978: Poetry, Performance and the Institution, from Queen Mary, University of London. With Tom Bamford he runs the Benefits event series in London, and he is happy to be contacted via www.stevewilley.com.

s i n k : Tim Vincent-Smith (violin) and Leon Wright (soprano saxophone) met on stage in 2009. Since that time as two thirds of the new music ensemble s i n k they have performed across the UK and beyond. Their core practice is devoted to improvised performance and collaboration. Recent work has included a premiere of a Adrian Hornsby’s masterful comic short film ‘Moko and Loupe’ for which they composed and performed an original live score, a showcase at The Queen’s Hall as part of Decagram and an improvised performance while being hoisted into the air at the No Fit State big top tent.

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This entry was posted on September 9, 2013 by in Uncategorized.

Series Image: Power Out, by Georgie Lord

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